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France. Ministère de l'Agriculture et du Commerce. Commissariat général de l'exposition de 1878 (1876-1880)

Corporate body | 1876 - 1880 Identifier: FRAN_NP_053199
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France
Archives nationales

Date of foundation:

1876

Date of closing:

1880

PLACE

Place:

Paris

Paris (France)

Role of the place:

Lieu général

LEGAL STATUS

Legal status:

établissement public

FUNCTION

Function:

économie

MANDATE

Citation:

Décret du 4 avril 1878 instituant une exposition universelle des produits agricoles et industriels

Citation:

Décret du 13 avril 1878 instituant une exposition universelle des beaux-arts en même temps que l’exposition agricole et industrielle

Citation:

Loi du 29 juillet 1876 ayant pour objet l’ouverture à Paris d’une exposition universelle en 1878

Citation:

Décret du 5 août 1876 portant nomination du commissaire général de l'Exposition, M. Krantz

Citation:

Décision du 10 octobre 1878 de proroger l'Exposition du 1er au 10 novembre

STRUCTURE

Note:

I. L’organisation

L’administration de l’Exposition est partagée en six grandes directions :

Le commissariat général, comprenant tous les services d’ensemble qui ne sont pas rattachés à l’une des directions : correspondance générale, comptes rendus et rapports, comptabilité, archives, catalogue, etc.

La direction des travaux, embrassant la construction, l’installation et l’entretien des bâtiments, l’aménagement des parcs et jardins, la remise en état du Champ de Mars et du Trocadéro et le service médical des chantiers.

La direction de la section française, chargée de suivre le détail des rapports du commissariat général avec les exposants français autres que ceux des beaux-arts et de l’agriculture.

La direction des sections étrangères, destinée à centraliser les questions concernant les exposants étrangers et les relations du commissariat général avec leurs représentants autorisés.

La direction des beaux-arts, dont l’action s’étend sur tous les artistes, français ou étrangers.

La direction de l’agriculture, ayant pour mission d’organiser les expositions comprenant les produits et les procédés de l’agriculture proprement dite, de l’horticulture et de la pisciculture.

Toutes les affaires relatives à l’Exposition ne pouvant pas être rattachées à ces sections, d’autres directions son créées. En effet, peu de jours après cette première organisation, le commissaire général propose d’ériger en direction spéciale le service chargé des expositions temporaires d’animaux vivants (rapport du 30 août 1876).

II. Le personnel

Commissariat général

Commissaire général :

J.-B. Krantz

Cabinet :

C. Krantz, chef de cabinet

T. Morin, chef adjoint du cabinet

M. Gérard, attaché

M.Majoux, attaché

M. Desmoulins, rédacteur

Comptabilité et matériel, contentieux :

M. Allain-Launay, inspecteur des finances chargé de la comptabilité et du contrôle

M. Schoeffel, régisseur

M. Ferlin, vérificateur

M. Escali, chef du matériel

M. Goujon, avocat chargé du contentieux

Catalogue :

M. Dheu, chef du service

M. Quesnot, sous-chef

Entrées :

Ch. Ladreit de Lacharrière, secrétaire du Commissariat général, chef du service

M. Thurneyssen, sous-chef

M. Lucas, attaché

Manutention :

M. Bureau, chef de service

Direction des travaux

Directeur :

M. Duval

Service central :

Service général

M. Vallière, ingénieur, chef de service

M. Pieuchot, chef comptable, régisseur

Études et contrôle des constructions métalliques

M. Parent, ingénieur, chef du service du contrôle

Mise en mouvement des machines

M. Lecoeuvre, ingénieur, chef de service

M. Debize, ingénieur en chef des manufactures de l’État, chef de service adjoint

Eau et gaz

M. Barois, ingénieur des ponts et chaussées, chef de service

Palais du Champ de Mars et dépendances :

Service d’architecture

M. Hardy, architecte, chef de service

M. Picq, architecte, inspecteur

M. Mimey, architecte, inspecteur

M. Gouny, architecte, inspecteur

M. Charbonnier, architecte, sous-inspecteur

Service de la construction

M. Houberdon, ingénieur, chef de service

M. Belbèze, conducteur principal

Palais du Trocadéro et dépendances :

Service d’architecture

M. Davioud, architecte, chef de service

M. Bourdais, architecte, chef de service

M. Raulin, architecte, inspecteur

M. Bérard, architecte, sous-inspecteur

M. Métivier, architecte, sous-inspecteur

M. Pochet, architecte, sous-inspecteur

M. Harant, architecte, sous-inspecteur

Service de la construction

M. Causel, ingénieur, chef de service

M. Planche, sous-ingénieur

M. Suréda, conducteur

Travaux divers :

Bâtiment de la ville de Paris

M. Bouvard, architecte

M. Gravigny, inspecteur

Service médical

M. Ladreit de Lacharrière, médecin en chef

M. Venet, médecin

M. Audigé, médecin

M. Testaud, médecin

Direction de la section française

M. Dietz-Monin, directeur

M. Giroud, sous-directeur

M. Fallois (de), chef de groupe

M. Lix, chef de groupe

M. Lockert, chef de groupe

M. Massue (de la), chef de groupe

M. Vincent, chef de la correspondance

M. Crépinet, architecte

Direction des sections étrangères

M. Berger, directeur

Ch. Vergé, chef de service

M. Codrika (de), rédacteur

M. Géry, attaché

M. Jamain, attaché

M. Ballu, attaché

H. Vergé, attaché

M. Melchior, archiviste

M. Étienne, architecte

E. L’Épine (auditions musicales)

Section de l’agriculture

M. Tisserand, directeur

M. Hardy, chef de groupe

M. Focillon, chef de groupe

M. Blanchère (de la), chef de groupe

M. Cabaret, régisseur

M. Joigneaux, attaché

M. Chevalier, chef des travaux du parc

M. Huart, attaché

Section des animaux vivants

Espèces bovine, ovine, porcine, galline et canine :

M. Porlier, directeur

Espèce chevaline :

M. Dutaya (le baron), directeur

M. Beauvert (de), chef de service

M. Colin, sous-chef de service

Section de l’art ancien

M. Longpérier (de), directeur

M. Schlumberger, secrétaire général

M. Bertera, attaché

M. Marulaz, inspecteur

Section des beaux-arts

M. Chennevières (de), directeur

M. Guillaume, membre de l’Institut, directeur

Divers

Aquarium d’eau douce :

M. Gauckler, ingénieur en chef des ponts et chaussées

M. Carbonnier, conservateur

Aquarium d’eau de mer :

M. Meynier, inspecteur des pêches

Entrées :

M. Nicolle, agent comptable

M. Chardin, contrôleur en chef

M. Châtelain, sous-contrôleur

M. Mourguès, sous-contrôleur

M. Millochau, sous-contrôleur

Police :

Champ de Mars

M. Lalmand, officier de paix

M. Gavrelle, officier de paix

Trocadéro

M. Dupouy, officier de paix

Postes :

M. Musard, receveur des Postes et Télégraphes

Douanes :

M. Desgranges, sous-inspecteur, chef de service

Octroi :

M. Grodet, inspecteur, chef du service

GENERAL CONTEXT

Note:

L'exposition universelle de 1878 est la troisième Exposition universelle de Paris.

En 1876, alors que la France sort à peine de la période de réorganisation qui suit les désastres de la guerre, le gouvernement décide que Paris sera une nouvelle fois le théâtre d'une Exposition universelle. Par cette initiative, le gouverment souhaite affirmer à la fois sa confiance dans les forces du pays et sa volonté de chercher dans une politique nouvelle le moyen de relever la France.

HISTORICAL NOTE

Historical note:

Au début du mois d’avril 1876, deux décrets du Président de la République annoncent qu’une Exposition universelle de l’agriculture, de l’industrie et des beaux-arts s’ouvrira à Paris le 1er mai 1878 et prendra fin le 31 octobre de la même année.

Le décret du 4 avril vise exclusivement les produits agricoles et industriels. Le décret du 13 avril, rendu sur la proposition du ministre de l’Instruction publique, étend aux beaux-arts le bénéfice des dispositions prises en faveur de l’agriculture et de l’industrie.

Le 26 juin 1876, le ministre de l’Agriculture et du Commerce, au nom du Président de la République, dépose à la Chambre des députés le projet de loi relatif à l’Exposition. Le 14 juillet, le projet soumis à la Chambre est approuvé à l’unanimité, puis transmis au Sénat. Le 26 juillet, la loi est votée sans aucune opposition et promulguée le 29 juillet suivant.

Dès le 5 août 1876, le commissaire général est nommé et l'administration de l'Exposition définie dans le Rapport adressé au ministre de l'Agriculture et du Commerce le 28 août de la même année.

Ayant souffert d’un certain retard au départ, des rumeurs quant à une prorogation éventuelle circulent dès le mois de septembre 1878. Suite au report de la cérémonie de distribution des récompenses au 21 octobre (initialement prévue le 18 septembre) et aux demandes d’un grand nombre d’exposants français et étrangers désireux d'écouler une partie de leurs produits, le gouvernement consent à repousser au 10 novembre la date de clôture de l'Exposition. Cette décision est portée à la connaissance des intéressés le 10 octobre 1878.

La liquidation de l’Exposition prend fin en 1880. La réexpédition des produits est terminée dès janvier 1879. Ainsi, la plus grande partie des services placés sous les ordres du commissaire général sont supprimés dès cette époque. Le directeur des travaux reste seul en fonction puisque sa tâche, qui comprend la liquidation des entreprises, est loin d’être accomplie. En effet, cette liquidation laborieuse, tant à cause du grand nombre de traités conclus que de l’importance de certains d’entre eux, occupe toute l’année 1879 et une grande partie de 1880.


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This object is made available under the terms of the Creative Commons - Attribution, Non-Commercial, ShareAlike (BY-NC-SA) licence. You can copy, redistribute, remix, tweak, and build upon the licensed object for non-commercial use only, as long as you attribute the rights holder as described in the licence, and as long as you license your adaptations of the object under the same terms.

This object is made available under the terms of the Creative Commons - Attribution, Non-Commercial, No Derivates (BY-NC-ND) licence. You can copy and redistribute the object for non-commercial use only, as long as no alteration is made to the object and as long as you attribute the rights holder as described in the licence.

If you remix, transform or build upon the object, you may not distribute the modified material.

This object is in the public domain, but has been digitised as the outcome of a public-private partnership, where the terms of the contractual agreement limit commercial use for a certain period of time. You can copy, redistribute, remix, tweak, and build upon the object for non-commercial use only.

This object has been identified as an Orphan Work in the country of first publication and in line with the requirements of the national law implementing Directive 2012/28/EU of the European Parliament and of the Council of 25 October 2012 on certain permitted uses of orphan works.

You are free to use this object in any way that is permitted by the copyright and related rights legislation that applies to your use. Please note that you are responsible for your own use, including the need to obtain other permissions e.g. with regard to publicity, privacy or moral rights.

This object is in the public domain, but is subject to known legal restrictions other than copyright which prevent its free re-use. Please contact the providing institution for more information.

This object is currently in copyright. Please contact the providing institution for more information and in order to acquire additional permissions for re-use.

The copyright status of this object has not been evaluated yet. Please contact the providing institution for more information.

You are free to use this object in any way that is permitted by the copyright and related rights legislation that applies to your use. Please note that you are responsible for your own use, including the need to obtain other permissions e.g. with regard to publicity, privacy, or moral rights.

This object is currently in copyright and the rights holder(s) have allowed re-use for educational purposes only. You are free to use this object in any way that is permitted by the copyright and related rights legislation that applies to your use. Please note that you are responsible for your own use, including the need to obtain other permissions e.g. with regard to publicity, privacy or moral rights.

Please contact the providing institution for more information and in order to acquire additional permissions for any other uses.

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